Tatyana Mikheeva
Composer
“Tatiana Mikheeva is a very extraordinary composer, just as an original improvising singer and pianist, and sometimes also a performer”, writes musicologist Irina Severina in the Russian music newspaper “Da capo al fine. We play from the beginning”.
Tatiana’s creativity is wide-ranging, there are no style restrictions in it. There are electroacoustic and electronic compositions, jazz compositions, songs, music for theater, cinema and television in her compositional arsenal along with symphonic, choral and chamber music. Being as a member of many international festivals, Tatiana Mikheeva collaborated with the Ensemble of Percussion Instruments of the Bolshoi Theater, with the Ensemble of percussion instruments of Mark Pekarsky, with the “School of Dramatic Art” of Anatoly Vasiliev, with the Moscow Drama Theater, with the Folk Music Theater of Tamara Smyslovaya, with the Dmitry Pokrovsky Ensemble, with the musical and theatrical project “Purba” by Svyatoslav Ponomarev, with Vladimir Chekasin, Mike Ellis, the group “Safety Magic” and many other well-known collectives and soloists of various directions in different countries.
Her music has been released on CD in the USA, in Czech Republic, in Russia.
Filmography:
“Guest” (Central Studio of Documentaries, directed by E. Khmelev, 1996), the series “Butterfly Trajectory” (directed by O. Babitsky, Y. Goldin, 2000)
Tatiana Mikheeva is a member of the Union of Composers of Russia, the International Association of Contemporary Music, the Theremin Center. Now, she is engaged in teaching.
About “Mila”:
“It was interesting for me to work in a film where there is no musical arrangement in the usual sense. In addition to the inclusion of classical compositions that are part of the plot, a score consisting of the sounds of the surrounding space will be written here. As a composer, I am required to create a sound of environment (ASMR). And at the same time, this work has nothing in common with the traditional dubbing of cinema.”
Tatyana Mikheeva
Composer
“Tatiana Mikheeva is a very extraordinary composer, just as an original improvising singer and pianist, and sometimes also a performer”, writes musicologist Irina Severina in the Russian music newspaper “Da capo al fine. We play from the beginning”.
Tatiana’s creativity is wide-ranging, there are no style restrictions in it. There are electroacoustic and electronic compositions, jazz compositions, songs, music for theater, cinema and television in her compositional arsenal along with symphonic, choral and chamber music. Being as a member of many international festivals, Tatiana Mikheeva collaborated with the Ensemble of Percussion Instruments of the Bolshoi Theater, with the Ensemble of percussion instruments of Mark Pekarsky, with the “School of Dramatic Art” of Anatoly Vasiliev, with the Moscow Drama Theater, with the Folk Music Theater of Tamara Smyslovaya, with the Dmitry Pokrovsky Ensemble, with the musical and theatrical project “Purba” by Svyatoslav Ponomarev, with Vladimir Chekasin, Mike Ellis, the group “Safety Magic” and many other well-known collectives and soloists of various directions in different countries.
Her music has been released on CD in the USA, in Czech Republic, in Russia.
Filmography:
“Guest” (Central Studio of Documentaries, directed by E. Khmelev, 1996), the series “Butterfly Trajectory” (directed by O. Babitsky, Y. Goldin, 2000)
Tatiana Mikheeva is a member of the Union of Composers of Russia, the International Association of Contemporary Music, the Theremin Center. Now, she is engaged in teaching.
About “Mila”:
“It was interesting for me to work in a film where there is no musical arrangement in the usual sense. In addition to the inclusion of classical compositions that are part of the plot, a score consisting of the sounds of the surrounding space will be written here. As a composer, I am required to create a sound of environment (ASMR). And at the same time, this work has nothing in common with the traditional dubbing of cinema.”
